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Out of the living room for the first time.

ROUVY is a real-world cycling app. It connects riding at home and outdoors through real routes, real places and real goals all year round. Taking the brand out of the living room meant new content from the ground up: defining how it should look, shooting it and continuously testing which creatives work.

  • Art direction
  • Photography
  • Figma
  • Photoshop
  • Lightroom
  • Magnific
  • Claude
  • Asana

Production in Portland

Four intense days, seven locations and three rider types. In Portland I mainly shot photos and contributed to part of the art direction. Shooting at that scale was new territory for me too. We shot interiors with new hardware and outdoor scenes in the Columbia River Gorge and below Mt. Hood – all during the production of a hero spot by Ocean Front Entertainment. At times there were over twenty of us on set. 420 photos made it into use.

Cyclist on the road, ROUVY production in the USA
Three cyclists on a mountain road, Portland production
Rider on a trainer in a garage, Portland production

Content for the whole season

The goal was to shoot photos and video for the entire upcoming indoor season. We built every scene for one of three rider types – our “buddies” the brand speaks to. As a result, marketing has a stock of photos and video for each of them for months ahead.

Two cyclists at a viewpoint above the Columbia River, ROUVY production in the USA
Top view of handlebars with the ROUVY app

Photo and video at once

I produced the photos together with videographer David, so we filmed and photographed most scenes at the same time. The result is photos and video of the same moments that share one visual line across campaigns.

Rider in a garage from behind, trainer and tablet
Switchbacks in the Columbia River Gorge from above
Cyclist on a fast road descent, ROUVY production in the USA

How it started

For years ROUVY looked like training at home: cyclist, trainer, screen. Interior photos were heavily staged and studio-like. The brand switch was meant to take the brand outdoors for the first time, and that meant rebuilding the entire art direction.

I put together the rules, guidelines and direction for outdoor and indoor communication so it would still be one brand. Everything realistic, authentic and natural: real people, emotions, interiors and experiences. That’s Keep it real, and today it guides all of ROUVY’s visual communication.

Slides from the Keep it real brand switch art direction for ROUVY

Portland and Keep it real are just one chapter. Alongside them I create content for ROUVY with pro teams, performance campaigns and their testing.

More work for ROUVY